System design for touring, installation, cinema and performance venues Discuss a venue brief
System solution / venue first

Martin Audio systems begin with the room, not the box

Turn audience geometry, rigging positions, SPL targets and operator workflow into a coherent loudspeaker plan. The starting point is a design brief that installers, production engineers and venue teams can all interrogate.

INPUT
Venue brief
MODEL
Coverage prediction
OUTPUT
Commissioning plan
A Martin Audio line array system shown with a venue coverage model
Coverage planeAudience geometry aligned
4audience planes reviewed
3 dBcoverage variance target to test
1:1prediction-to-measurement review
96 kHzDSP workflow reference point
System families

Choose the acoustic architecture before the cabinet count

Each family answers a different coverage problem. Directivity, low-frequency headroom, rigging load and amplifier channel allocation belong in the same conversation.

Flown line array modules
Long throw

Line Array Systems

Shape vertical coverage for deep audience areas while documenting splay, trim height and mechanical limits.

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Point-source loudspeaker in a venue
Defined zones

Loudspeakers

Build fills, delays and distributed zones around sightlines, mounting positions and consistent voicing.

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Touring subwoofer array
Low-frequency control

Subwoofers

Balance extension and impact against stage spill, footprint, transport weight and array configuration.

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Stage monitor at a microphone position
Performer reference

Stage Monitors

Assess gain before feedback, coverage footprint and placement around microphone and performer positions.

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Professional amplifier rack
Power and control

Amplifiers & Mixers

Allocate channels, processing, limiting and monitoring so the loudspeaker plan remains observable in operation.

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Unsure where to begin?

Start with the audience map

Share dimensions, rigging points, program material and the operational handover requirement before naming a series.

Installation cases

Three rooms, three different definitions of success

A touring rig prioritises repeatable deployment; a fixed venue must respect architecture and everyday staffing; cinema work asks for localisation and seat-to-seat consistency. A system proposal should state which outcome it is optimising.

Touring stage with suspended loudspeaker arraysTOUR / 01

Repeatable touring deployment

Truck pack, rigging sequence, prediction files and a known verification routine reduce changes between show days.

Installed loudspeakers in a performing arts venueINSTALL / 02

Architectural integration

Sightlines, mounting access, balcony shadows and service routes influence the acoustic design as much as nominal output.

Cinema loudspeaker system behind a screenCINEMA / 03

Seat-to-seat translation

Coverage, screen loss, low-frequency distribution and calibration references must be considered as one playback chain.

Engineering chronology

A loudspeaker company shaped by systems thinking

The useful thread through the history is not nostalgia; it is the repeated movement from individual enclosures toward prediction, control and more consistent audience coverage.

Martin Audio established

The company began in London around loudspeaker solutions for the developing live sound market, where output, portability and reliability were practical constraints rather than brochure language.

Wavefront-era touring systems

Large-format touring products reflected the period's demand for scalable systems and repeatable coverage across arenas and festival stages.

MLA system approach introduced

Multi-cellular array thinking put optimisation and electronic control at the centre of the design conversation, shifting attention from a nominal loudspeaker angle to a defined audience objective.

Joined Focusrite Group

The ownership milestone placed Martin Audio alongside a broader group of professional audio brands while retaining a distinct loudspeaker and system-design remit.

Prediction, deployment and verification

Current project practice connects acoustic modelling, mechanical configuration, amplifier processing and on-site measurement into a traceable workflow.

Before a model number

Give the design team enough context to make a defensible first pass

A useful enquiry includes audience dimensions, trim limits, program use, target level, rigging constraints, power availability and the date by which a system must be operational.

  • Venue drawings or approximate dimensions
  • Fixed, portable or touring deployment
  • Coverage priorities and noise-sensitive boundaries
  • Operator skill level and handover expectations

Route the brief

Short notes are acceptable; the team can identify the missing engineering inputs.